Review By Wendy Ide

For a director who customarily tackles subjects with the approach of a gorilla playing American football, Oliver Stone’s take on whistleblower Edward Snowden seems curiously muted. Audiences who are already familiar with Citizenfour, Laura Poitras’s exemplary documentary on the same subject, will be struck by the fact that, in dramatising Snowden’s story, Stone seems to have leached out much of the drama. The aim was clearly to create an All the President’s Men for the age of cyber-surveillance. But somehow the sense of peril is downplayed, diluted by too much inert exposition and pacing that could be tighter.

Playing Edward Snowden, Joseph Gordon-Levitt is one of the film’s main assets. His character’s ferocious intelligence is signposted with cheap details – he is forever fiddling with a Rubik’s cube and has a nerd’s enthusiasm for arcane enciphering equipment. But Snowden’s intellect is most effectively conveyed in Gordon-Levitt’s eyes – watchful, sober and clouded by doubt, they are a window into his impossible ethical quandary.

Melissa Leo is somewhat underused as Poitras. And playing Guardian reporter Glenn Greenwald, Zachary Quinto is tonally jarring. It feels as though Stone realised that some of the scenes were flagging, so got Quinto to shout angrily at random moments, to keep the audience on their toes.

There are some fun elements, many involving Rhys Ifans’s ruthlessly unprincipled CIA trainer Corbin O’Brian (the fact the character shares a surname with the villain of Orwell’s Nineteen Eighty-Four is no accident). I particularly enjoyed a scene in which O’Brian’s massive glowering face is beamed into a conference room to berate Snowden. His carnivorous snarl fills the immense screen; he looks like a malevolent version of the Wizard of Oz. There’s a playful visual flair to this moment that is sadly lacking elsewhere in the film.

Source: The Guardian